Chloé Zhao y la CENSURA CHINA | Del OSCAR al OLVIDO

About this video

• Video Title: Chloé Zhao y la CENSURA CHINA | Del OSCAR al OLVIDO
• Channel: Café Kyoto
• Speakers: Not specified
• Duration: 15:34

Overview

This video discusses the censorship of director Chloé Zhao in China following her Oscar win for "Nomadland." It contrasts China's state-controlled censorship with the "manufactured consensus" in Western media and social media algorithms. The video argues that China leverages its control over information to present its political system as superior, especially in light of the global pandemic, while also acknowledging the complex nature of censorship and its potential overlap with Western media's influence.

Key takeaways

• Chloé Zhao's Oscar win and subsequent censorship: Zhao, a Chinese-born director educated in the UK and US, won an Oscar for "Nomadland." Her previous comments and a misquoted statement led to her and her film being censored in China, despite initial state media coverage.
• Distinction between censorship and cancellation: Censorship is defined as an official act of examining and modifying content to align with political, moral, or religious viewpoints, typically executed by state or editorial bodies. Cancellation, on the other hand, is a public outcry, often on social media.
• China's sophisticated censorship system: China employs a highly advanced censorship system, intensified under Xi Jinping, extending to all forms of media, including the internet, through measures like the "Great Firewall."
• "Manufactured consensus" in the West: The video draws a parallel to Western media and social media, where algorithms and user interactions create "bubbles" of outrage and confirmation bias, leading to a similar, though less overtly state-controlled, manipulation of discourse.
• Pandemic as an opportunity for China: China used the COVID-19 pandemic to its advantage, controlling information to portray its political system as successful and Western democracies as failing, thus reinforcing its narrative of superiority.
• Cold War parallels: The current information landscape is compared to a new Cold War, where scientific, cultural, and philosophical battles are waged through propaganda, with awards like the Oscars potentially serving as tools for cultural hegemony.