I'm sorry, but the term "paʻao" does not appear in the provided transcript. Therefore, I cannot provide any information about it based on this video.
The kinolau (physical manifestations) of Kanaloa include:
The term "hauatea" does not appear in the transcript.
The transcript mentions the Kumulipo in the context of cosmogonic genealogies, specifically when discussing the deity Haumea. It states that Haumea is associated with the earth mother, Papa, and that this connection was discussed in the cosmogonic genealogies. However, the transcript does not provide further details about the Kumulipo itself.
I'm sorry, but the transcript does not provide specific details about the first period of the Kumulipo or the exact life forms born during that time. It only mentions the Kumulipo in passing as a source for understanding the earth mother, Papa, and her relationship with Haumea.
The term "malama aina" does not appear in the transcript.
The "Ao o Milu" refers to the Hawaiian version of hell, the realm where bad spirits go. Milu is the presiding deity of this realm, watching over all the bad spirits. It is described as a place one definitely does not want to go.
The Hawaiian concept of hell is referred to as the Ao o Milu. This is the realm where bad spirits go, and it is presided over by the deity Milu. It's described as a place that one would not want to go to.
The deity who presides over the Ao o Milu (the Hawaiian version of hell) is Milu.
The transcript mentions Moʻikeha in the context of Lono. It states that Lono was introduced to the Hawaiian Islands in the story of Laʻa-kapu and Moʻikeha, with Laʻa-kapu introducing the deity Lono (or Lonoikamakahiki) to the Hawaiian Islands.
The transcript mentions Manuʻa as the presiding deity of the Ao o Milu, which is described as the Hawaiian version of hell or the realm where bad spirits go.
The kinolau (physical manifestations) of Haumea mentioned in the transcript are:
This video provides an introduction to Hawaiian spirituality, referred to as "Hoʻomana Hawaiʻi," focusing on its deities and places of worship. It explains that "Hoʻomana" literally means to make or increase "mana," which is the spiritual life force flowing through all things. The video differentiates Hawaiian spirituality from Western concepts of organized religion, highlighting its localized nature and its deep connection to place. It details various deities, their roles, their physical manifestations (kinolau), and their counterparts, as well as different types of sacred spaces, from grand temples to simple stone altars.
In Hawaiian tradition, Kū is a major deity associated with politics, government, and war, as well as farming and fishing. He is seen as a god of governance, where war is a function of maintaining order and providing for society. Kū is described as a very strict deity, important for defending a country or conquering another. His ceremonies are also very strict, requiring perfection to appease him. Some of his kinolau (physical manifestations) include the shark, hawk, dog, eel, and various plants like 'ea, 'ōhi'a, and 'ōlū.
Haumea is described as a great deity and the epitome of female mana. She is responsible for all aspects of childbirth and raising young infants. Her kinolau include all women, menstrual cycles, trees, forests, and the breadfruit tree (ulu). In legend, Haumea is known as the mother of Pele and her Heiyaka sisters, and also the mother of the demigods Kamapuaʻa and Maui. On Oʻahu, she is known as Kūhoʻiʻiʻi, the deity of government and war for that island.
The hale peʻa is described as a sacred female space and a place of worship. It is often translated as a "women's menstruation house," but its significance goes beyond that. During menstruation, when a woman is considered to be at the peak of her mana, she retreats to the hale peʻa to maintain the balance of mana in general society. This separation prevents the powerful female mana from disrupting the balance. It is a sanctuary where women commune with and worship female deities. Men are forbidden from entering or even being near the hale peʻa, as their presence could destroy the sacredness of the space and disrupt the established balance. The Hawaiian view is that it's a place for women to worship, not a prison or a place where they are seen as defiling.
Kanaloa is a major Hawaiian deity. He is the god of the deep ocean, fishing, and voyaging. He is also associated with aspects of healing and ocean winds. Kanaloa represents the natural life cycle, including death, as the spirit is believed to return to the ocean. The ocean, as Kanaloa, is seen as cleansing and capable of removing defilement. His kinolau (physical manifestations) include the ocean itself, mu (squid), heʻe (octopus), ocean winds, and the sunset. He is considered the counterpart to Kane, the god of life.
The transcript mentions "aliʻi" in the context of the larger "state heiau" structures, stating that these were organized by the aliʻi (chiefs). It also mentions that the government (which would be led by aliʻi) had to step in to help feed people during the construction of these large structures.
The term "moi" is not present in the transcript. Therefore, I cannot provide a comparison or explanation of the difference between them based on this video.